Hollywood SFX




Hollywood Special Effects









Filmmakers have advanced a long way from the early use of those rear projection scenes. We make fun of those now but Hollywood FX needed to start someplace. Today, directors can contact the latest cutting-edge technology to help them inform their story. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization. New methods have had one of the most effect on historic epics, sci-fi and animation.


Matte painted backgrounds and miniature models served films well for a long period of time, allowing futuristic films such as Fritz Lang's Metropolis. A mix of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. War films that required sea fight footage used miniature models in big water tanks. This, and an approach known as traveling matte, produced the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of unique effects masters.


Additional development came when effects supervisor Douglas Trumball created new methods for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the difficulty and shocked audiences with Star Wars in 1977. His team created a new computer controlled electronic camera that enhanced duplicated electronic camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has pioneered Hollywood FX ever since.


Today, we are utilized to the concept of films being shot with a blue screen and the background being included later. The effects group at Pixar has presented it to their full length animations, such as Toy Story. The Weta workshop in New Zealand has actually built a track record as one of the best unique effects companies, particularly since the success of the Lord of the Rings trilogy.


effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has made the return of the epic motion picture possible. It would have been cost prohibitive to construct a mock up of the Coliseum in Gladiator. Russell Crowe fights the lions in a CGI virtual world.


We laugh at those now but Hollywood FX had to start someplace. A combination of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX ever since.




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